Folks, let me relate to you a tale that's hotter than a firecracker on the Fourth of July. Not long ago, the good agents of Nigeria's Economic and Financial Crimes Commission—or

Folks, let me relate to you a tale that's hotter than a firecracker on the Fourth of July. Not long ago, the good agents of Nigeria's Economic and Financial Crimes Commission—or
EFCC, as the common man says—descended upon the ritzy neighborhood of Lekki like a
summer storm.
Now, among the caught-red-handed bunch was one
Wole Afolabi, who carries the artistic name of
Wole DSB. Ain't that a predicament for a
purveyor of tunes to find himself caught in the tight grip of the law?

The raid—conducted with the careful planning of a Swiss watchmaker—rounded up a total of a few dozen accused digital bandits. I've seen catfish caught in nets with more dignity.
Laid bare before the world were the proceeds of their supposed crimes: prohibited substances, electronic gadgets, and other illicit items that would make a preacher turn pale.
I've observed that these digital con artists, as they're commonly called, have a special affinity for the luxurious items in life—much like how a
frontier shopkeeper might display his prosperity.

The
EFCC big fish, in addressing this notable haul, stressed that the action forms part of their ongoing crusade to purify Nigeria of the scourge of
internet fraud. It's a noble cause, though I imagine as many new fraudsters spring up as mosquitoes in a swamp.
Our friend
wole afolabi DSB now must answer to grave accusations that could situate him in a less melodious environment for a considerable period.

Imagine that just yesterday he might have been creating songs, and today he's facing a hostile audience. Fate has a habit of taking unexpected turns.

If this account stand as a lesson to would-be criminals? I reckon it might, though people being people, we'll never lack for souls who think they're smarter than the law.
Therefore, as this saga unfolds in the halls of justice, we ordinary citizens can only observe and ponder at the odd trajectories that lead a man of music to swap his microphone for a defendant's stand.